Jessie Master’s spark reaction to “tone deaf” lyrics and video

A growing rural star Jessie Not a stranger to guide the borders, but her latest track may have gone too far for some fans and industry’s internal workers.

The 20 -year -old artist who recently left his provocative new album “Sex Hysteria” is subject to a fire after publishing a music video for his 1965 song, which many accuse of praising violence in the family and advertising of outdated gender roles.

While Alabama’s homeland is welcomed for her genre and unprocessed honesty, Jessian Murph’s latest work has accepted a controversial turn.

“We would go to church on Sunday, woke up on Monday / you would go to work, and I would stay home and sing and do fun things / I could get a small gap, but you wouldn’t go to Snapchat.”

She follows with a provocative hook:

“I think I would give up some rights if you just loved me like it’s 1965.”

The attached video adds fuel to a fire showing a graphic sex scene that has shocked many viewers, and even triggered a virus’s tendency to Tok, where users are filming their stunning reactions. One particularly disturbing picture shows a woman associated with and lying on the face on the couch, which many believe that they mean domestic violence.

Critics and fans are now discussing whether the latest graduation of the Month is crossing the line.

One inner representative in Nashville told Everyday mail Uproar is part of the calculated march. “The contradictions generate cash,” they said, adding that it is a “victory” for her, “even if many seem to be grotesque.”

However, some industry believes that the so -called Edginess has made a worrying turn, calling the “sexist” and “tone deaf”.

However, Murph insists that lyrics and videos are meant to be satirically.

“All this song is a kind of joke,” she told In adolescent fashion In the interview, setting criticism. Other domestic information echoed in her protection, calling the lyrics “very sophomoric”, but eventually “not to take seriously”.

However, comparisons with other contradictions associated with artists such as Kanye Westbegins to appear on the surface.

“If she continues and goes out of rails, like Kanye, then people should talk about the person she is, not the artist who she is,” the source added.

Disputes related to “1965” come only a few days after Jessie’s Master opened his non -psychic approach to music and image.

“I am glad that people have people have a kind of reaction. I would rather be like: ‘I hate you’ or ‘I love you,” not,’ I feel indifferent, ”I think,” Murpho told the teenager Vogue earlier this year.

This brave attitude seems to contribute to her current provocative release wave, including her latest album “Sex Hysteria”, which has already caused passionate reactions across the Internet. However, the singer admits that navigation criticism is not always easy.

“But still, it just seems strange to me … I don’t have hate in my heart,” she explained. “It has been something I’ve tried to figure out. How to navigate and not respond and get angry, because it makes me alike: ‘F-CAC YOU, B-TCH. “”

While Jessie Maity may perceive the warmth of his provocative images and non -ologically lyrics, “Sex hysteria” is not the value of the whole shock. There is a deep well of personal sorrow and reflection under the quarrels, especially in songs such as “Heroin” and “The Man Who Returned”.

In the movie “Heroin”, the Master uses drugs as a persecuting metaphor to return to some toxic, supplying the bowel hole lines, such as:

“There is violence in the way I long for you / and it’s a war, the way you love me just like you.”