Each episode of Simpsons written by Konan O’Brien

“The Simpsons” is one of America’s most outstanding institutions – and nowadays one of the safest. Even after 36 seasons, the longest race on the television series continues to create eternal half -hour episodes (and the irregular hour -long special) This shows why it deserves to be still in such a long time.

Of course, there is always a crowd “This show, which was better for the 90s”, which cannot dare to imagine that newer episodes are nothing but waste. However, they have a point. The previous “Simpsons” season was not just carefully written and perfectly defined, but they have excellent animation and phenomenal writing. Therefore, despite the fact that there is still one modern episode, our all -time “Simpson” episode list mainly consists of episodes from 4 to 6.

Among the best episodes, one common element that appears a lot in this list (at least in the episodes at credit points) is the name Conan O’Brien, another most reliable institution in America. Comedian, host, actor and writer Welcomed one of the most fun Oscar ceremonies in recent memoryAnd over many decades, he has been part of some incredibly well -designed comedic projects, from his days, writing “Saturday Night Live” to his recent travel show “Conan O’Brien Must Go.

Some things have had as much influence on pop culture as “Simpson”, so Konan’s work on the show is quite high in his legacy. In addition, these are pretty good episodes (and Some big ones of all time). Regardless of whether you are on your “Simpson” trip where you start watching episodes based on credit or managing, or you are in Conan-high post-winning and want to review one of his best works, we ran every “The Simpsons” episode written by Konan O’Brien. Unfortunately there is one episode he will never get: Continued “Stark Raving Dad” that Konan rewrote it And it is likely that it would be centered around the Prince. But let’s go into the episodes we were lucky to get from a comedian.

There is a lot to love in this episode. The segments are great, with “Homer vs the devil “is the best in all” Tree Hause of Horror “,” And references are fun and creative. However, this episode is the lowest simply because Conan O’Brien was not related to it this time. As the comedian is already working on the “Late Night on NBC”, O’Brien wrote only wrapped segments where Barts walks through a ghostly paintings gallery and introduces each new segment.

Covering is ridiculous, especially the first in which Marge Battle Bart is about not promoting people on the terrible and bloody story of stories they are going to watch. The visual images of ghostly paintings give the episode a unique look of endless imagination, and Bart as a serious bar serling style host is quite fun to watch. However, the best parts of the episode do not really include O’Brien, so it happens at the bottom of the list. To better things …

Most of the early “Simpsons” treated Barts a pranker, often annoying kid who stole America’s heart with his attitude and one line. The later seasons began to cut Bart to Satan’s spawning. However, some of the best episodes of the show are treated by a mistake, vulnerable, eternally 10 -year -old boy (At least up to a possible series final) I still learn about myself and the world. One such episode is the “new child in the block”, in the episode that shows both the racal aspect of Bart and his emotional side as writer Conan O’Brien plays with the audience’s heart in the story that Barta has a sympathy for his new funny bad girl next to Laura.

Bart completely changes his attitude and behavior (short -lived and, of course, not very sincere) and, when interacting with Laura, shows a great emotional vulnerability. There is even a great dance order in which Bart and Laura turn into Fred Astaira and Ginger Rogers. O’Brien then pulls the carpet from the bottom of the audience and pulls Bart’s little heart when Laura discovers that she is actually getting to know the local bully Jimbo Jones. It is a great episode that reminds the audience that Bart is still just a child with a big heart.

Meanwhile, the funniest part of the episode is associated with Homer in the classic “Simpson” Shenaniganos, which you can use and quote in everyday situations. This time, Homer goes to everything you can eat, a seafood association and sues a restaurant for being thrown away while he is still hungry (after he fed every item in the restaurant). It’s absurd, funny and completely cheerful.

Like Bart, Homer has been reduced to one property over the years. A man who was once a relatively middle -class father of three, with flaws, but a well -minded heart eventually became just the stupid guy around with the little qualities in terms of redemption. This makes episodes like “Homer going to college” even more so because they understand the subtle balance between making Homer ‘s dumb, but a completely useless fool.

When it becomes clear that Homer is not qualified to perform his work of the Nuclear Safety Inspectorate, he is forced to go to college to study nuclear physics. In the episode, Homer sees the most endless and immature, as most of the episode is accompanied by acting as John Belushi’s character “Animal House” shouting “Nerd!” In the first person, he sees walking on the town, creating pranks and disrespecting everyone.

And yet, even if Homer is quite literally there are many joke barrels (including literally that the bee is literally barrel), he also has an emotional circle this episode, because he truly comes to care for the nerves that train him and the importance of education. Watching Homer shifts from his experienced experience makes him better than younger academics to be destroyed in his first lecture is deeply relative and sincere.

This is the last full episode of Konan wrote and he went out to high height. Outside writing, this episode provides some peak of Homer’s postures and manifestations. From his pointed face, when he says to the class that he is a core physics expert, to the changing “I’m so smart” because the wall behind him burns, here are many fun “Simpsons” at all times.

That’s it. This is the best episode of all time, “The Simpsons,” and Conan O’Brien himself has said that people remember him the most – and for good reason. Congrate from O’Brien’s love to “The Music Man”, “ This episode is part of a larger change in “The Simpsons”, moving from a relatively sound and simple American life satire to the surreal world that fully uses the animation media. The rules do not apply here. And everything happens for as long as it’s funny. Fantasy sequence in which skinner is cut in half with giant mechanical ants? You got it. Escalator on nowhere? Why not. Leonard Nimoy gives Trippy’s speech? Of course

In this episode, it is all, in short time, wrapping too many jokes and gags that cannot be covered here. What begins as a straight story about a man (Phil Hartman, who provides the perfect performance), who persuades Springfield’s sad silly people to invest happiness in an unnecessary monorail, first in the form of a phenomenal song, followed by a “speed” scenario and a great joke goats. There is a “Batman scientist”, Homer likes the on -call car family (“I call the big Bitey”) and much more.

And yet, again, Conan knows how to balance jokes with heart. Even if Homer is extremely dumb in this episode, there is something sincere and sincere about how happy Homer is that Bart is proud of his new job as a monorail conductor. It is “Simpson” heart and why it lasts so long. According to all the jokes, the surreal moments, the increasingly cartoonous reality, is a show about a family that is just trying to make everything possible.